The Boy With Another Name

Chapter 11 - The Boy With Another Name
The first explosion took the front doors off Saint Brigid's.
Dust rolled down the stairwell. Evelyn grabbed Anna before she could lose her footing. Bianca still held the photograph of her son, pressed so tightly in her fist that the edges bent.
Adrian did not waste a second.
"Back exit. Move."
Marco led them through the cellar, past shelves of files, toward a narrow door half-hidden behind a cabinet. Gunfire cracked above them, muted by stone. Somewhere overhead, men shouted in English and Italian.
Anna clutched Samuel's recorder against her chest.
Her father's voice had been inside that little machine. Not enough. Everything and not enough.
The back tunnel opened into a courtyard overgrown with weeds.
Three black SUVs waited beyond the broken garden wall.
For one foolish second, Anna thought they were rescue.
Then Peter Voss stepped from the middle vehicle with a gun in his hand and a teenage boy beside him.
The boy had dark hair and a narrow scar near his chin.
Bianca stopped so abruptly Evelyn nearly collided with her.
"Matteo," she whispered.
The boy's eyes moved to her without recognition.
Peter smiled. "He prefers Leo. Names are such delicate things, aren't they? Give a child a new one early enough, and the old life becomes a fairy tale."
Adrian stepped forward.
"Let him go."
"You Morettis always make requests sound like weather reports." Peter pressed the gun lightly against the boy's shoulder. "The key, Adrian. The ledger. The girl. Then perhaps everyone leaves with the number of children they arrived with."
Anna looked at Matteo. He was older than she expected—perhaps twelve, perhaps thirteen. His face had the stillness of a child trained not to react.
Bianca took one step.
"Matteo, listen to me."
Peter laughed. "Careful. His mother is dead. We told him she died begging."
Something happened to Bianca then.
All the polish fell away. The cruelty, the lies, the elegant defenses. She became only a mother standing ten yards from a son stolen before memory could hold her.
"Your name is Matteo," she said. "You had a blanket with green rabbits. You hated carrots. You used to sleep with your fist against your cheek."
The boy's expression did not change.
But his hand twitched.
Peter noticed.
So did Adrian.
A shot rang from the convent roof.
Not from Peter's men.
One of the Voss guards dropped beside the SUV.
Chaos broke open.
Adrian lunged for Matteo as Marco fired toward the vehicles. Bianca ran, not away from danger but straight into it. Evelyn shouted her name. Anna saw Peter raise his gun toward Bianca and moved without thinking, shoving the woman sideways.
Pain tore through Anna's shoulder as she hit the ground.
For a terrifying instant she thought she had been shot.
Then she realized she had landed on broken brick.
Bianca scrambled up and reached Matteo. She put both hands on his face.
"I am here," she said. "I am sorry. I am here now."
The boy stared at her.
A child's memory is not a photograph. It is a smell, a rhythm, a voice under water.
His eyes filled.
"You sang," he whispered.
Bianca sobbed once. "Yes."
Peter aimed at them.
Before he could fire, an older man emerged from behind the garden wall and struck him from the side with the butt of a rifle.
Peter fell.
Anna looked up.
The man was gray, thinner than memory, with a beard and a limp.
But she knew the way he stood.
She knew the eyes.
"Dad?"
Samuel Price turned toward her.
For three heartbeats, the world became sixteen years old again.
Then his face crumpled.
"Annie."
Anna ran to him.
Not carefully. Not with dignity. She ran like the child she had been when he vanished, and he caught her with one arm because the other hung stiffly at his side.
"I tried to come home," he said into her hair. "God forgive me, I tried."
Anna could not answer.
Behind them, Peter groaned on the ground.
Carlo Moretti's voice sounded from the last SUV.
"Touching reunions everywhere. How American."
May you like
He stepped out holding a pistol.
And the barrel was pointed at Evelyn.