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Room Seventeen

Chapter 10 - Room Seventeen

The black sedan brought Enzo back.

Not as a fugitive.

As a bargaining chip.

Two men took him from the rear seat with his hands bound in front, his suit torn at the shoulder, bloodless fear turning his mouth gray. I had never liked Enzo, but seeing a proud man delivered like laundry made my stomach tighten.

Aldo looked pleased.

Luca did not.

That distinction mattered.

Cruel men enjoy power when someone helpless enters the room. Dangerous men calculate how to end the situation without becoming cruel themselves.

Luca was dangerous.

I was beginning to see the difference.

“They found him near Midway,” Aldo said. “Trying to sell me something that already belonged to me.”

Enzo looked at Luca. “I didn’t know he was coming here.”

“No,” Luca said. “You just planned to meet him elsewhere.”

Enzo closed his eyes.

Aldo gestured toward the hallway. “Now. Room Seventeen.”

Luca’s security men moved as one.

Aldo smiled. “Careful. If this becomes a contest of men, people bleed. If it becomes a contest of secrets, people listen.”

Luca stared at him. “No one touches staff. No one touches Olivia. No one touches Vanessa unless she tries to run.”

Vanessa laughed once, broken. “Where would I go?”

No one answered.

We walked through the Moretti house in a procession that would have looked absurd to anyone who did not understand old family rot. Luca in front. Aldo beside him. Vanessa pale and shaking. Enzo between two guards. Mrs. Dellucci clutching a rosary. Me holding the iron key my mother had hidden inside a silver cloche.

The chapel had become a music room.

White walls. A grand piano. Framed photographs of Luca shaking hands with mayors, bishops, men who smiled like doors closing.

Only one object remained from its older life.

A statue of the Madonna stood in a recessed niche, hands open, face lowered in endless patience.

Vanessa pointed behind it.

“When Carlo renovated, they moved the wall forward,” she said. “My father told me. I thought
”

“You thought what?” Luca asked.

“That it was only money records.”

Aldo chuckled.

She turned on him. “You told me it was leverage.”

“It is.”

“You told me no one died for it.”

Aldo’s expression stayed mild. “I told you no one important died for it.”

The room went silent.

Luca stepped toward him.

I touched Luca’s sleeve without thinking.

He stopped.

My fingers fell away quickly. “Don’t let him choose the version of you he understands.”

Luca looked at me.

Something passed between us then, not romance, not even trust fully formed, but recognition.

He had spent his life being measured by violence.

I had spent mine being measured by service.

Both were cages other people found convenient.

Luca turned back to the niche. “Open it.”

The iron key fit into a small dark hole beneath the statue’s base.

My mother had carried that key through cancer, bills, fear, and a life small enough not to attract powerful eyes.

When I turned it, the statue shifted forward half an inch.

Behind it was a seam.

Luca pressed both hands to the wall and pushed.

A narrow door opened inward.

Room Seventeen was smaller than I expected.

A table. A chair. Metal cabinets. Dust so thick our footsteps wrote over one another. A single stained-glass window had been covered from outside, but thin blue light still bled through the edges.

On the table sat a tape recorder.

Old.

Gray.

Waiting.

No one spoke.

Luca crossed the room and pressed play.

At first, only static.

Then a woman’s voice.

Soft.

Tired.

Certain.

“Carlo, if you are hearing this, it means Aldo has convinced you I am the danger. I am not. The danger is what men call family when they mean ownership.”

Luca shut his eyes.

His mother.

Lucia Moretti continued.

“I have copied the shipping ledgers. Aldo Bellini moved money through our ports. He paid men in your security. He has a daughter, yes, but he has also purchased sons wherever weak men stood close to power.”

Enzo lowered his head.

Marco was not in the room, but his absence seemed to answer for him.

The tape crackled.

“If anything happens to me, Thomas and Rose Hart must be protected. Rose knows where I kept the key. They have a child. Do not let my sins reach her.”

My breath stopped.

Aldo moved toward the recorder.

Luca’s hand shot out, gripping his wrist—not breaking it, not twisting it, only stopping him as one might stop a door from closing on a child.

The tape went on.

“And if my son grows into the world his father built, let him hear this: Luca, power without tenderness becomes another form of begging. Never trust a person ashamed of mercy.”

The tape clicked.

Silence filled the room.

Luca released Aldo.

Aldo’s face had become old.

Not humbled.

Old.

Vanessa was crying now, silently, like she resented the tears for existing.

“I didn’t know,” she whispered.

Mrs. Dellucci said, “You knew enough.”

Enzo looked up. “There’s another tape.”

Everyone turned.

Aldo said, “Shut up.”

Enzo laughed weakly. “Too late for manners.”

Luca crouched before him. “Where?”

Enzo looked at me.

That was the moment my blood went cold.

“Not where,” he said. “Who.”

Luca’s voice dropped. “What does that mean?”

Enzo swallowed.

“The second tape is with Olivia’s father.”

May you like

And before I could move, Luca’s phone rang.

The screen showed St. Raphael’s Rehabilitation Center.

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