St. Agnes at Midnight

Chapter 05 - St. Agnes at Midnight
I learned something about fear that night.
It does not always make you run.
Sometimes it makes you stand very still while men in expensive suits discuss your life as though you are a hallway they must pass through.
Luca said, âNo.â
One word.
I almost laughed.
âNo what?â I asked. âNo, they canât threaten me? No, my father isnât somehow tied to this? No, Iâm not going to a church where someone may or may not be waiting with a kidnapped child?â
His eyes found mine. âNo, youâre not being used as bait.â
âInteresting. The message seemed to disagree.â
Sal said my name softly.
I held up one hand. If I looked at him, I might begin crying, and I was not willing to give Vanessa that satisfaction.
Luca came around the desk. âEmma, listen to me.â
âNo. You listen. I brought Sal into the dining room because Vanessa was cruel. Now a child is missing, my fatherâs name is in your dead familyâs secrets, and someone knows where I live.â
His expression tightened.
âI am already in it,â I said. âThe only question is whether I walk in blind or standing up.â
Vanessa watched me in a way I did not like.
For once, there was no contempt in it.
Luca spoke to Marco without taking his eyes off me. âSecure Emmaâs father.â
âMy father will not open the door to men like you.â
Lucaâs voice softened a fraction. âThen call him and tell him someone is coming to keep him safe.â
Safe.
A word rich people use when they have gates.
Still, I called.
My father answered on the fourth ring, breathless from crossing his small living room. âEm?â
âDad, two men are coming by. Theyâre friends.â
âI donât have friends in black cars.â
I closed my eyes. âTonight you do.â
There was a silence.
Then his voice changed. âIs this about Grace?â
The room seemed to disappear.
âWhat did you say?â
He coughed once. âCome home.â
âDadââ
âEmma, come home now.â
The line went dead.
I looked at Luca.
âHe knows.â
We went to St. Agnes with three cars, no sirens, no heroics. The church stood in a pocket of old Chicago that had resisted money longer than most people expected. Its stone steps were salted against the ice. A single lamp burned above the side entrance.
The sanctuary smelled of candle wax and dust.
No one waited in the pews.
But on the altar rail sat a childâs red mitten.
The third one.
I walked toward it before Luca could stop me. Beneath the mitten lay a folded paper.
Luca opened it.
THE MAID KNOWS THE ROUTE.
âI donât,â I whispered.
Sal looked at me from the aisle. His face had changed. Not guilt this time. Memory.
âYour father does,â he said.
A sound came from behind the confessional.
Marco moved first.
A woman stepped out with both hands visible. She was small, maybe sixty, wearing a gray coat and the exhausted expression of someone who had raised children she did not give birth to and buried secrets she did not own.
âDonât shoot,â she said calmly. âThe boy isnât here.â
Luca stared. âWho are you?â
âMrs. Alvarez. I kept house at West Addison.â
âWhere is Nico?â
âWith people who should not have him.â
Vanessa, who had insisted on coming and been allowed only because Luca wanted every liar within reach, stepped forward. âRosa.â
Mrs. Alvarez looked at her. âYou told him you were his mother.â
Vanessa flinched.
âYou should be ashamed,â the woman said.
âI was trying to protect him.â
âYou were trying to protect yourself too. People can do both.â
The sentence settled over us like ash.
Lucaâs voice cut through it. âWho took Nico?â
Mrs. Alvarez removed something from her coat pocket.
A small toy car. Black. Scratched on one side.
âHe dropped this when they pulled him into the van.â
I knew that car.
My father had one just like it on his shelf, an old souvenir from a trucking company he refused to talk about.
On the bottom, someone had carved two initials.
E.M.
Enzo Moretti.
Mrs. Alvarez looked at me.
âYour father drove the same route eight years ago. If you want the boy alive by morning, ask Thomas Reed where he left Grace the night she ran.â
Then the side door opened behind us, and a familiar voice said, âNo need.â
May you like
My father stood in the church doorway, leaning on his cane, pale as winter.
âIâll show you myself.â