The Toolbox With No Bottom

Chapter 08 - The Toolbox With No Bottom
For three years, Rachel had kept Markâs toolbox under the kitchen sink because she could not bring herself to throw it away.
It was heavy, dented, and ugly in the way useful things often are. Mark had bought it secondhand before Emily was born. The red paint had peeled from the corners. One latch stuck unless you hit it with the heel of your hand. Inside were screwdrivers, picture hooks, a roll of electrical tape, spare batteries, and the little level Mark once used to hang Emilyâs baby pictures crooked anyway.
Rachel had opened it dozens of times since his death.
She had never known the bottom came out.
Now the tray lay on the floor, tools scattered like bones, and the empty space beneath stared back at her.
Emily stood behind Mrs. Alvarez, clutching the older womanâs skirt.
âMommy?â
Rachel turned and forced her voice to work.
âStay with Mrs. Alvarez.â
âButââ
âNow, Em.â
Emily obeyed.
That hurt too.
Arthur stood in the doorway, his face controlled so tightly it looked carved. Mason spoke into his phone in short, quiet sentences. Two men searched the stairwell. Another checked the back door. Nobody had seen the intruder leave.
Of course they hadnât.
People who entered poor buildings uninvited often knew exactly which cameras were broken.
Rachel knelt beside the toolbox.
A rectangle of dust marked where something flat had rested for a long time.
Arthur crouched beside her.
âWhat was there?â
âIf I knew that, I wouldnât be staring at dust.â
He did not react to the edge in her voice.
She appreciated that, which made her angrier.
Mason entered. âNo sign of forced entry.â
Rachel looked at her lock.
âThe super has keys.â
âHe was at dialysis,â Mrs. Alvarez called from the hallway. âI checked.â
Arthur looked at her.
The old woman lifted her chin.
âWhat? You think youâre the only one who can investigate?â
For one absurd second, Rachel nearly laughed.
Then Emily spoke softly.
âThe man had flowers.â
Everyone stopped.
Rachel turned.
âWhat man?â
Emily looked frightened now that all the adults were watching her.
âThe one by the stairs. He had flowers, so I thought he was visiting someone.â
Arthurâs eyes moved to Mason.
âWhat kind?â Rachel asked gently.
âWhite ones.â
âRoses?â
Emily nodded.
Rachel closed her eyes.
Mark used to bring white roses on their anniversary because he said red roses looked too sure of themselves.
Arthur noticed her face.
âWhat?â
âWhite roses were Markâs thing.â
Mason went into the hallway. A moment later he returned holding a florist card sealed in a tiny envelope.
âFound in the stairwell.â
Rachel opened it.
The handwriting was unfamiliar.
Dead men shouldnât keep secrets from widows.
Her stomach turned.
Arthur read it over her shoulder.
âThis is psychological,â he said.
âItâs cruel.â
âSame tool. Different name.â
Rachel looked at him.
âDo you hear yourself when you talk?â
âYes,â he said. âMore today than usual.â
Masonâs phone buzzed.
He checked it, then handed it to Arthur.
Arthur watched whatever was on the screen without changing expression. Then he looked at Rachel.
âWe have hallway footage from a tenantâs doorbell camera.â
âShow me.â
He hesitated only a fraction.
âRachelââ
âShow me.â
The footage was grainy, angled, and silent. A man in a delivery cap climbed the stairs carrying white roses wrapped in paper. He paused near Rachelâs door, glanced once toward the hallway, and entered with a key.
Rachel leaned closer.
The manâs face turned briefly toward the camera.
She did not know him.
Arthur did.
His hand tightened around the phone.
âName,â Rachel said.
âPeter Lang.â
âWho is he?â
âMy driver.â
The room seemed to tilt.
Rachel stepped back from him.
Arthur saw it happen.
âHe has been with me seven years,â he said.
âWonderful. Loyal men are always the ones holding keys in stories like this.â
Masonâs jaw tightened. âPeter drove Mr. Vance today.â
âWhen?â
âTo Vance Tower. To the church. To the storage facility.â
Arthur looked toward the window.
Which meant Peter had known every location almost as soon as Arthur did.
Rachel whispered, âHe was at my building while we were gone.â
âYes.â
âAnd your men didnât stop him.â
âNo.â
Arthur did not hide behind excuses.
Rachel wished he would. Anger needed something to punch.
Mason made three calls in two minutes. Peterâs phone was off. His apartment empty. His bank accounts untouched. A man who vanished professionally either had help or fear enough to mimic professionalism.
Arthur walked to the window and looked down at the wet street.
Rachel watched him, wondering how a man could seem both enormous and suddenly cornered.
âWhat was in the toolbox?â Mason asked.
Rachel looked at the dust rectangle again.
Then she remembered something so small she had dismissed it for years.
âThe night before Mark died, he came home late. He woke Emily by accident. She asked if he brought her a prize.â
Emily stepped into the doorway despite Mrs. Alvarezâs attempt to hold her back.
Rachel looked at her daughter.
âYou were little. You probably donât remember.â
Emily frowned.
âDaddy gave me a sticker.â
Rachelâs chest tightened.
âWhat sticker?â
âPurple butterfly.â
Rachel stood too fast.
Emilyâs old memory box sat in the closet. She had kept hospital bracelets, preschool drawings, birthday candles, the first curl cut from Emilyâs hair, and every silly thing grief had made holy.
She pulled it down with shaking hands.
Inside, beneath a dried-out marker and a tiny mitten, was a purple butterfly sticker attached to a small plastic key tag.
Arthur went still.
âThatâs not a sticker,â he said.
Mason leaned closer.
âItâs a storage key.â
Rachel turned the tag over.
Stamped on the back were four faded characters:
J-17.
Arthur looked at the key as if it had risen from a grave.
âJulia was seventeen when that photo was taken,â he said.
Masonâs phone rang again.
He listened, then covered the receiver.
âPeter just used his access card.â
âWhere?â Arthur asked.
Masonâs face darkened.
âYour private garage.â
Rachel looked from one man to the other.
Arthurâs voice dropped.
âHe isnât running from us.â
A second later, his phone buzzed.
Unknown number.
A photograph appeared.
Julia Vance, older now, sitting in the back seat of a car with a bruise on her cheek and Peter Lang beside her.
May you like
Under it was one sentence.
Bring the key, or she disappears like Mark.