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CHAPTER 6: THE WOMAN IN THE WEST WING

Adrian did not speak for almost an hour.

He stood in the ballroom after the agents left, staring at the place where my mother had been cuffed. The mask lay on the table beside the diamond necklace, both of them useless now, both of them proof that a face can lie better than a mouth.

Finally, he said, “My mother is in the west wing.”

I thought I had misheard.

“In this house?”

“She has been here for eight years.”

Adrian’s voice was flat.

“The doctors call it degenerative grief. Some days she knows me. Some days she thinks I am my father. Some days she does not speak at all.”

“And your mother said she knew something.”

“My mother says very little.”

We walked through a hallway I had not seen before, past portraits covered in linen and windows facing the dark garden. The air in that wing felt too quiet, as if every servant had learned to step around a wound no one named.

The west wing smelled faintly of lavender, medication, and old money trying to soften pain.

Mrs. Celeste Cross sat in a high-backed chair near the window, wrapped in a blue shawl. Her silver hair was braided neatly over one shoulder. She looked fragile until her eyes lifted.

They were Adrian’s eyes.

Sharp.

Awake.

She looked at me first.

“Bride,” she said.

Adrian stopped.

“You know who I am?”

Celeste ignored him.

She extended one hand toward me.

“You look like the girl from the paper.”

My throat tightened.

“What girl?”

“The girl who said my husband lied.”

Adrian flinched.

I sat across from her.

“I was sixteen. They forged my name.”

Celeste studied my face so long I wanted to disappear.

Then she nodded.

“I know.”

Adrian went still.

“Mother.”

Celeste’s fingers tightened around the shawl.

“I knew the signature was wrong. I told your father. He said the girl was a child and likely used. He wanted to fight quietly, not destroy her life.”

My eyes burned.

Adrian whispered, “Why did you not tell me?”

Celeste looked toward the garden.

“Because by then the bank had already moved. Your father was ashamed. He believed shame was evidence against him.”

Silence filled the room.

Then she said, “But Richard Hartwell did not act alone.”

My father’s name sounded different in her mouth. Older. Dirtier.

“There was a second buyer behind the waterfront collapse. A man named Malcolm Vale.”

Alden Vale.

Adrian’s fake old husband.

I turned to him.

“You used his name.”

“Malcolm Vale was dead.”

Celeste shook her head.

“No.”

Adrian froze.

“Mother, Malcolm Vale died in Zurich.”

“That is what Richard told your father.”

My pulse sharpened.

Celeste looked at me again.

“Vale paid for the inspector. Richard stole the company, Marcus moved money, but Vale took the land. Your father found the true deed chain the night before he died.”

Adrian’s hand closed around the back of the chair.

“Where is it?”

Celeste’s eyes clouded for a second.

Then cleared.

“In the piano.”

We went to the old music room near midnight. Dust lay over everything except the grand piano, which had been polished recently by staff. Adrian opened the bench. Empty.

Celeste’s nurse said softly, “She sometimes means inside the instrument.”

Adrian lifted the panel.

Taped beneath the soundboard was a yellowed envelope.

Inside were copies of deed transfers, a Swiss account number, and a photograph of Malcolm Vale with my father on the waterfront pier.

Alive.

Recent.

On the back, someone had written:

He kept the old face because nobody questions a dying man.

My skin went cold.

The old-man mask had not been Adrian’s invention.

It had been Malcolm Vale’s signature.

Adrian had copied the disguise of the man who ruined his family without knowing Vale might still be alive.

Then my phone buzzed.

Unknown number.

May you like

A single message.

Tell Cross to stop wearing my face.

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