The Empty Bedroom

Chapter 02 - The Empty Bedroom
Luca reached Sophieâs bedroom before anyone else. He took the stairs two
at a time, his polished shoes striking the marble with a sound that sent
servants flattening themselves against the walls. Hannah followed with
Teresaâs nurse, pushing the wheelchair as quickly as the old woman could
tolerate. Teresaâs hands shook against the armrests, but her eyes never
left the landing.
Sophieâs room looked almost untouched. Her stuffed rabbit sat on the
pillow. A half-finished drawing lay beside a glass of water. The
curtains were drawn, and the small night-light shaped like a moon still
glowed beside the bed. Yet the wardrobe stood open, and the space
beneath the window where Sophie kept her pink suitcase was empty.
Luca crossed the room without speaking. He checked the bathroom, the
walk-in closet, the little reading nook beneath the shelves. Then he
opened the wardrobe wider and found three dresses missing, along with
Sophieâs favorite cardigan and a pair of shoes. This was not a child
wandering downstairs. Someone had packed for her.
âWho had access to this room?â he asked.
âHousekeeping, the nanny before she left, and me,â Vanessa said from the
doorway.
âYou told me Sophie was asleep.â
âShe may have gone with someone willingly.â
âWho?â
Vanessa glanced toward Marco. âPerhaps your daughterâs old caregiver.
The one you dismissed last month.â
Lucaâs brow tightened. âShe hasnât been here in six weeks.â
âThen someone else may have helped her.â
Hannah looked up. Vanessa was talking too quickly, reaching for
explanations before Luca had asked for them. The woman who had spent the
evening controlling every detail of the dinner had suddenly lost track
of her own story.
Marco examined the window locks and shook his head. âNo forced entry.
The side door camera was offline for eleven minutes. The front gate log
shows a vehicle leaving at nine seventeen, but the plate is obscured.â
âEleven minutes,â Luca repeated. âWho disabled the camera?â
âWeâre checking.â
Luca called Sophieâs private phone. It rang once, then went to
voicemail. He listened to the little recorded greetingâhis daughterâs
voice, bright and shy, saying, âHi, itâs Sophie. Leave me a
message!ââand ended the call before the beep. Hannah saw the moment he
understood that fear could not be ordered to stand down.
Vanessa touched his shoulder. âLuca, listen to me. If she was frightened
by the noise tonight, she may have asked someone to take her somewhere
quiet. We can handle this without turning it into a spectacle.â
He moved away from her hand. âYou keep saying âweâ as if I know what
youâre talking about.â
Luca checked the bedside table and found a childrenâs watch, a library receipt, and a folded note from Sophieâs teacher reminding him about a school concert the following week. He had promised to attend. The note had been pinned beneath a photograph of Sophie with two missing front teeth, laughing in the sunlight. He picked up the picture and held it for a second too long, remembering how he had once believed that money could protect a child from every uncertainty.
Hannah watched him put the photograph back exactly where it had been. It was the only thing in the room he had touched gently. The sight made her feel both tenderness and anger: tenderness for a father who was terrified, and anger that Sophie had apparently been frightened for days without anyone noticing. The house had dozens of cameras, armed guards, and locked gates. Somehow, it had not had enough ordinary attention.
Teresa made a small sound. Hannah leaned over her. âMrs. Moretti?â
The old woman pointed toward the corridor, then toward the old east
wing. Her finger shook so hard that it took Hannah a moment to
understand. The east wing had been closed since Lucaâs wife died. It
contained the family chapel, a storage room, and a narrow passage that
had once connected the servantsâ quarters to the conservatory. Most of
the staff believed the passage had been sealed.
âBlue door,â Teresa whispered.
Luca knelt beside her again. âIs Sophie there?â
Teresa shook her head, then pressed her fingers to her lips and pointed
toward the east wing a second time.
Hannah remembered a blue-painted door at the end of the old passage,
behind a tall cabinet. When she had first started working at the
mansion, she had found Sophie hiding there with a book, saying it was
the only place where the house did not sound so large. She had never
told Luca. Sophie had asked her to keep it a secret.
âI know a place,â Hannah said.
Vanessaâs head snapped toward her. âYou know a place?â
âA hiding place Sophie likes.â
âThen why didnât you mention it before?â
âBecause sheâs a child, and children are allowed to have a corner of
their own.â
For a second, Vanessa looked as if she might slap her. Instead, she
smiled with a coldness that made Hannahâs skin prickle. âHow touching.
Youâve become very close to the family.â
Luca stepped between them. âHannah, take us there.â
The old passage smelled of dust and cold stone. Marco went first with a
flashlight. Hannah guided Teresa behind him while Luca checked every
doorway. At the end stood a narrow blue door, its paint chipped around
the handle. It opened into a little room once used by the family priest.
There was a faded rug, a wooden bench, and a small window that looked
onto the garden.
Sophie was not there.
But on the bench lay a paper star, folded from a page torn out of a
childrenâs notebook. Hannah recognized Sophieâs careful handwriting on
the inside.
I HEARD THEM. I KNOW ABOUT THE CAR. IF I DISAPPEAR, DONâT TRUST THE
PERSON IN RED.
Luca read it twice. His hand tightened around the paper until its edges
bent.
âWho is âthe person in redâ?â Marco asked, though his eyes had already
moved to Vanessaâs gown.
Vanessa gave a brittle laugh. âThis is absurd. Any child could have
written that after hearing adults whisper.â
âThen tell us what she heard,â Luca said.
âI donât know.â
Teresa lifted her trembling hand and pointed straight at Vanessa.
No one spoke. The old womanâs breathing had grown shallow, but she held
the gesture, her finger unwavering.
Luca turned to his fiancĂ©e. âYou have one chance to tell me why my
mother is afraid of you.â
Vanessa looked at the paper star, then at Teresa. For the first time
that night, her face showed something more than irritation.
It showed hatred.
And Hannah realized the note had not been a childâs warning about a plan
May you like
that might happen. Sophie had written it because the plan had already
begun.