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The Ring From the Ashes

Chapter 10 - The Ring From the Ashes

No one spoke on the drive back to the mansion.

Damen sat beside me in the rear seat, one hand braced against the door, the other pressed against his ribs. The poison had not finished with him. Sweat gathered at his temple though the morning air was cold.

I hated noticing.

I hated more that I cared.

“Tell me about the ring,” he said to my father, who sat across from us under Paul’s gun.

Samuel Hayes looked older in daylight.

“Sofia had proof that could not be burned. Not paper. Not ledgers. Something small.”

“A ring,” Damen said.

“A signet. Your father’s. But the stone had been replaced with a hollow compartment. Microfilm inside. Names. Bank numbers. Shipments. People who paid for protection and people who paid for murder.”

Damen stared at him. “Why would Sofia swallow it?”

“Because the fire started too soon. She had seconds. She knew if they found it, everything died with her.”

I closed my eyes.

A woman I never knew had used her last moments to hide truth inside her own body.

And somehow that truth had reached my daughter.

“What happened after?” Damen asked.

“My hands were burned trying to get to her. I couldn’t. I heard glass breaking behind me. Someone hit me. When I woke up, the greenhouse was gone and a man I knew from Matteo’s crew told me I had two choices: die publicly or disappear privately.”

“And you chose to leave your family.”

“I chose to keep them alive.”

The car fell silent.

Damen looked out at the road. “Those choices rarely feel clean later.”

“No,” my father said. “They don’t.”

At the estate, Atlas met us before the car stopped. Ellie stood behind him in the doorway, safe, pale, clutching her bunny.

I ran to her.

She wrapped herself around my waist.

“I didn’t read the note,” she said quickly. “Lena took it.”

“Good.”

“But I saw the picture.”

“What picture?”

She pointed toward the sitting room.

On the coffee table lay the contents of the blue folder. Family photographs. Old notes. A drawing I had made at seven. And one image I had never seen.

Sofia Romano in the greenhouse.

My father beside her.

Another person half-visible in the reflection of the glass wall.

Not Matteo.

Not Celeste.

A man older than both of them, face blurred by firelight, wearing a ring on his left hand.

Damen picked it up.

“That’s not my father,” he said.

My father leaned closer.

For the first time since seeing him alive, I saw terror in his face.

“No,” he whispered. “That’s not your father.”

“Who is he?”

Samuel looked at Damen as though measuring how much truth a dangerous man could survive.

Then he said, “It’s Aldo Romano.”

Damen’s face emptied.

Paul swore under his breath.

I looked between them. “Who is Aldo?”

“My uncle,” Damen said. “My father’s brother. He died before Sofia.”

My father shook his head. “No. He didn’t.”

The room shifted around another resurrected dead man.

Damen’s voice was low. “Aldo was killed in Palermo.”

“That was the story.”

Paul stepped toward the window and made three calls in under a minute. I heard fragments: old files, Sicily, death certificate, priest, body.

Damen remained still.

Too still.

“You are telling me,” he said, “that my dead uncle framed my brother, used Celeste, murdered my wife, poisoned me, broke into Mara’s apartment, and now wants Ellie?”

My father did not look away. “I am telling you Aldo Romano started all of this before your wife ever found the ledger.”

“Why?”

Samuel’s eyes moved to Ellie.

“Because he believes the Romano estate should have belonged to him.”

Ellie whispered, “He’s the man with the empty hands.”

Damen turned. “What?”

“In the dreams,” she said. “The lady cries when he comes. He has empty hands, but everyone acts like he’s holding knives.”

A phone rang.

Not Damen’s.

Not Paul’s.

My father reached slowly into his coat and took out an old flip phone.

The screen showed no name.

Only one word.

ALDO.

Damen took the phone and answered.

He said nothing.

A man’s voice, smooth with age, came through the speaker.

“Hello, nephew.”

May you like

Damen’s eyes turned black.

Then the voice added, “Put the little girl on the phone.”

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