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The Men Outside the Building

Chapter 07 - The Men Outside the Building

By the time I reached Elena’s street, the black SUV was gone.

That frightened me more than if it had stayed.

Men who wanted to intimidate lingered.

Men who wanted information vanished.

Arthur’s sister’s locksmith stood inside the apartment holding a baseball bat and looking disappointed she had not been allowed to use it. The boys sat in a tight line on the sofa, wearing pajamas, winter boots, and the solemn expressions of children who had been told to be brave while adults lied about why.

Elena opened the door before I knocked.

She had changed into jeans and a sweater. Her hair was pulled back badly. She looked exhausted, furious, and so alive that I had to stop myself from reaching for her.

“Are they yours?” she asked.

“No.”

“Carlo’s?”

“I don’t think so.”

That answer made her angrier.

“You don’t think?”

“Elena, Carlo looked afraid when you called.”

“Forgive me if his fear does not comfort me.”

Nicholas stood.

“Mom, Theo threw up.”

Theo glared at him.

“I did not throw up. I spit emotional water.”

Ben whispered, “That’s throw up.”

Marco held a blanket around his shoulders and watched me.

“Are we going to die?”

The room stopped.

Elena turned sharply.

“No.”

I crouched so my face was level with his.

“No,” I said. “Not because of me.”

Marco studied me.

“That’s not the same thing.”

He was too young to say something that true.

“It isn’t,” I admitted. “So let me say it better. I am going to do everything I can to keep you safe. But I should have been there sooner, and I wasn’t. That part is my fault.”

Elena looked away.

The boys did not know what to do with an adult admitting fault.

Most adults don’t either.

Theo raised his hand.

“This is not school,” Nicholas muttered.

Theo ignored him.

“Are you our dad?”

The question had followed us all night.

Now it stood in the middle of the living room with wet boots and four little faces.

I looked at Elena.

She closed her eyes.

Then she nodded once.

“Yes,” I said.

Ben’s mouth fell open.

Marco looked at his socks.

Nicholas crossed his arms harder, as if the fact offended him.

Theo asked, “Do dads have to be scary?”

“No.”

“Then why are you?”

The room was mercilessly quiet.

“I forgot how to be anything else,” I said.

That answer did something to Elena’s face.

Before anyone could speak, Arthur entered from the hallway.

“Neighbor saw plates. Massachusetts tags. Last three digits 912.”

I looked at him.

Harrison Barrett’s garage level at the financial district tower ended in 912.

The number had appeared too often lately to be coincidence.

“Barrett,” I said.

Arthur nodded.

Elena heard it.

“Sloane’s father?”

“Yes.”

“Why would he come near my sons now?”

Arthur hesitated.

I did not like his hesitation.

“Tell her.”

He handed me a photograph printed from a traffic camera.

A black SUV outside Elena’s building.

Behind the wheel sat a man I knew.

Not one of Harrison’s.

One of mine.

Renzo.

A soldier who answered to Carlo for years but had recently been assigned to me.

Betrayal rarely looks dramatic at first.

Sometimes it looks like a familiar face in a grainy photograph.

Elena gripped the back of a chair.

“You brought him?”

“No.”

“But he works for you.”

“Yes.”

That truth cost me more than a defense would have.

She nodded, once.

“Then we leave.”

“Elena—”

“No. You have men who don’t obey you. You have relatives who forged your name. You have a bride whose father photographed my children. We are done pretending your world can protect anyone.”

She went to the boys’ room and pulled a duffel bag from the closet.

The boys stood instantly.

They knew this drill.

That broke something in me.

“Where will you go?”

“Where I went the first time.”

“Vermont?”

She stopped.

Too late.

I saw the answer.

Arthur did too.

“Elena,” I said quietly.

She turned on me.

“Do not use my name like you are asking permission to care.”

The words landed exactly where they belonged.

Ben began to cry silently.

Not dramatically.

Not loudly.

Just a child making himself small because adults had become too large.

Elena saw him and changed at once.

She knelt, pulled him close, and whispered against his hair.

For all my power, I was useless.

Then my phone buzzed.

A text from Sloane.

I opened it.

My father knows you’re with them. He sent Renzo to push Elena into running. Don’t let her. That is what they want.

A second message followed.

If she leaves Boston tonight, Carlo’s lawyer will file abandonment claims before morning.

I read it twice.

Elena saw my face.

“What?”

I showed her.

She sank slowly onto the arm of the sofa.

“Abandonment?”

Arthur’s voice was hard.

“They want you to flee across state lines with children Dominic can now claim he didn’t know about. They’ll paint you unstable. Secretive. Afraid of legal scrutiny.”

“I am afraid,” she said.

“That’s not the same thing.”

The boys watched us.

Every decision in that apartment was teaching them what adults did when fear arrived.

Elena looked at me.

“What are you asking?”

“Stay where they can see you,” I said. “But not here.”

“No hotels you own.”

“No.”

“No Moretti house.”

“No.”

She narrowed her eyes.

“You have another idea.”

I looked at Arthur.

He sighed because he hated the idea already.

“My mother’s house in Hull.”

Elena’s mouth parted.

“The house where Carlo took the picture?”

“Yes.”

“That seems symbolic in the worst possible way.”

“Probably.”

Arthur shook his head.

“It’s empty, private, and not under current corporate ownership.”

Elena looked toward the boys.

Nicholas said, “Does it have secret doors?”

I told the truth.

“Three.”

Four faces lit.

Elena pointed at me.

“That is not helping.”

But fifteen minutes later, she packed their coats.

As we left, Ben slipped his small hand into mine without looking up.

I stopped breathing.

Then Nicholas said from ahead of us, “He only did that because the stairs are dark.”

I nodded.

“Obviously.”

Outside, the rain had turned to sleet.

At the bottom of the stairs, Elena froze.

Someone had left a red envelope taped to the building door.

Inside was a photograph of the boys sleeping in their bedroom.

May you like

On the back were five words.

Choose the wedding or lose them.

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