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Chapter 6: The Page She Missed

The page Regina missed was folded inside the lining of my mop bucket.

I had hidden it beneath the emergency thread, wrapped in plastic, because it was the only original sketch my mother had dated and signed before everything was taken from her.

Wine-red off-shoulder evening gown.

Broken-petal shoulder.

Diagonal internal reinforcement.

E.R., 1999.

Not a similar idea.

The idea.

When Regina looked at my bucket, I knew she knew. The gown Celeste had arrived in was not just inspired by Eleanor Reed. It had been copied from a sketch Regina once had access to and no legal right to use.

Regina’s voice softened, which made it more dangerous. “Maya, you are overwhelmed. You have embarrassed yourself enough. Give me the bucket.”

“No.”

A few guests shifted.

She stepped closer. “That was not a request.”

I held the shears at my side. “I know.”

Her smile thinned. “Do you understand who you are speaking to?”

“Yes,” I said. “The woman who ruined my mother’s name and still couldn’t construct her dress correctly.”

The cameras caught it.

Every word.

Regina’s face flushed.

Augustus looked at me sharply. “Explain.”

I reached into the bucket and removed the plastic sleeve. My hands were steady now. Strangely steady. Maybe rage, when it finally matures, stops shaking.

I held up the page.

The crowd leaned in.

Celeste’s rebuilt gown seemed to answer it from her body.

Regina said, “Anyone can forge a sketch.”

“My mother filed design protections before her studio closed,” I said. “I have the receipts. I have the court dismissal. I have the workroom notes from the assistant who testified against her, then retracted after your firm hired him.”

Priya covered her mouth.

Augustus’s gaze moved to Regina. “You told me Eleanor abandoned the industry.”

Regina did not blink. “She did.”

“You told me she sold her archives.”

“She did.”

“She died in debt,” I said.

That made him look at me.

“In a rented room behind a dry cleaner. With three sewing machines, two unpaid legal bills, and a daughter who learned early not to dream too loudly.”

For the first time, Augustus looked ashamed.

Regina seized it. “A tragic story does not prove theft.”

“No,” I said. “But your emergency alteration invoice does.”

I turned to Priya. “You have access to the internal file, don’t you?”

Priya froze.

Regina whispered, “If you open that phone, you will never work in fashion again.”

Priya’s hand trembled.

Celeste stepped forward, still wrapped in her father’s jacket and my rebuilt version of the gown. “If you don’t, she will keep doing this.”

Priya looked at her.

Then at me.

Then she unlocked the phone.

Regina lunged.

Augustus’s cane struck the marble so hard everyone flinched. His security caught Regina before she reached Priya.

“Enough,” he said.

Priya connected her phone to the media screen near the runway entrance. A file opened.

ALTERATION ORDER — CELESTE ALDEN GOWN.

Attached image: my mother’s 1999 sketch.

Notes: Adapt Reed archive silhouette. Remove internal support for softer collapse. Client must appear vulnerable on arrival.

Soft collapse.

The words crawled across the screen.

Celeste stared at them. Lucas looked sick. Regina stood caught between two guards, breathing hard but still trying to look offended.

Augustus read the line twice.

Then he turned to Lucas.

“Did you push her?”

Lucas shook his head. “No. I mean—it was just supposed to be playful.”

“Answer clearly.”

Lucas’s lips parted.

Before he could speak, a new sound cut through the tent.

The media screen flickered.

Another file opened by itself.

Not Priya’s.

Someone backstage had taken control.

A video began to play: Regina in the dressing room, two hours earlier, handing Lucas a champagne glass and saying, “When she reaches the pool, make sure the cameras catch the fall.”

May you like

Regina whispered, “Turn it off.”

But nobody did.

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