Globalnewsdesk

Ashes Don't Tell the Truth

Chapter 05 - Ashes Don't Tell the Truth

The blaze was small, contained by the fire doors and Hector's quick hands with an extinguisher. But it was deliberate. A wastebasket had been moved beneath the heavy library drapes, and the carpet around it smelled sharply of lighter fluid. The staff gathered on the terrace in borrowed coats. Wedding flowers waited in their buckets, looking indecently cheerful.

Daniel told the firefighters he suspected faulty wiring. Mara said nothing until an officer began to photograph the room. Then she asked him to look at the burned wastebasket. He did, and his expression changed. Daniel stepped aside to speak to the chief in private, but the chief waved him back toward the others.

At the hospital, where Mara was taken for dehydration and an examination, Celia called her sister Ruth. Ruth Whitcomb arrived in a navy raincoat with two pens, one umbrella, and a habit of listening all the way to the end of a sentence. She advised Mara to give a full statement, requested a copy of the original marriage certificate, and arranged for Emily to stay temporarily with Mrs. Vale, pending a proper assessment of the situation.

"Am I in trouble?" Emily asked her.

"Not even a little," Ruth answered. "The adults may be. That isn't your burden."

On the cottage mantel stood a row of postcards from places Mrs. Vale had never visited: Yellowstone, Savannah, Paris, a beach in Maine. She bought one every year on her birthday and put it where she could see it while washing dishes. Emily asked why she didn't travel instead. "A postcard is cheaper," she answered, then considered. "Though perhaps I've used that answer for too long."

For Emily the cottage was strange partly because nothing matched. There were three kinds of chair around the kitchen table and a clock that lost four minutes each day. Mrs. Vale wound it anyway. "It does its best," she said. Emily found this more comforting than the mansion's perfect silence. Here a cup could be chipped and still useful; a door could squeak without anybody rushing to oil it before visitors arrived.

That afternoon, before Ruth brought the medical report, Emily asked to telephone her father. Mrs. Vale looked uncertain but allowed it, staying close enough to intervene. Daniel answered on the second ring. "Sweetheart," he said, and the sound of his relief hurt her.

"Are you home?" she asked.

"Yes. The house is very quiet without you."

She wanted to tell him about the cocoa, the postcards, the funny clock. She wanted to ask whether he remembered how they planted bulbs on the west lawn. Instead she said, "Why did you tell me Mom died if you weren't sure?"

He didn't answer immediately. When he did, his voice had become formal. "There are facts that even grown-ups don't know. We did what we thought best."

"Who is we?"

"Emily, please. I love you."

She said she loved him too, because she did, then handed the telephone back. Afterward she sat by the cottage window and pressed her forehead against the cold pane. Mrs. Vale didn't try to improve the afternoon with cheerfulness. She set a plate of buttered toast beside Emily and sat near her until the child's shoulders stopped shaking.

At bedtime Emily found a deck of old playing cards in the cupboard and persuaded Mrs. Vale to teach her solitaire. There was something satisfying about the red and black suits, their predictable order. When she made a mistake the cards didn't accuse her. She could gather them up and start again. Mrs. Vale watched her play three games and thought that if a child had to learn about deceit, she ought at least to have some harmless system in which the rules stayed put.

For one night they stayed in the housekeeper's cottage beyond the walled garden. Emily lay on a sofa under a quilt smelling of lavender. Mrs. Vale made cocoa, though nobody was hungry. The sound of rain on the windows reminded Emily of the tapping below the marble.

"Why was Mara down there?" she asked. "Really?"

Mrs. Vale stirred her cup. "Because she thought if she made herself small enough, Daniel would give her something she deserved. It's a mistake many women make. They confuse patience with safety."

"Was my mother patient?"

"Alice was not. Lena was, until she wasn't."

Then Mrs. Vale told the story she'd avoided for years. Alice and Lena Mercer had grown up above their parents' dry-cleaning shop. Alice sang in local clubs, made plans loudly, and married Daniel for love or for the idea of what love could purchase—Mrs. Vale had never been certain. Lena worked in a children's hospital and preferred quiet rooms. They were identical twins only to strangers. Their voices, their gestures, the way they comforted a crying person: those were entirely different.

Three years into Alice's marriage, Daniel began asking Lena to stand in for her sister at public events. Alice had been drinking, missing dinners, disappearing for days. A family portrait was taken one winter afternoon with Lena wearing Alice's pearls. That was the picture on the landing. "The caption was a lie before anyone died," Mrs. Vale said.

"Why did Lena agree?"

"She thought it would help Alice get well. She thought she was holding a place for her sister, not taking it."

In the months before the fire, the sisters quarreled bitterly. Lena had given birth to Emily after a brief relationship with a man she never identified publicly. Alice wanted to adopt the child and raise her with Daniel. Lena refused. Yet the revised birth certificate appeared, and soon afterward the summer house burned.

"Who died?" Emily whispered.

Mrs. Vale gripped her cup. "For six years I believed Lena did. Daniel told me Alice was the one who survived and couldn't bear to raise you. But I met Alice after the fire. She had lost part of her memory, and there was a scar at her throat. I knew the voice. I knew it was Lena. She begged me not to tell. She said if I did, someone would hurt you."

"Where is she now?"

"I don't know. She vanished again two years later."

Emily thought of the photograph with the wrong name and the woman who lived under the floor. She had wanted a mother so badly that the first stranger to speak her name had become one in her imagination. She felt foolish, then angry with herself for feeling foolish.

Outside, headlights crossed the cottage window. Ruth stepped inside without knocking, rain darkening her shoulders. "Daniel's asked the police to investigate Mara for setting the fire," she said. "He says she forced her way into the house and has been threatening him for money."

Mrs. Vale rose. "That's absurd."

"It is also not the whole problem." Ruth laid a photocopy on the table: a medical examiner's report from Bellwether Lake. "The body recovered from the fire was not identified through DNA. It was identified by a wedding ring and a damaged passport."

May you like

Emily stared at the name printed on the report. ALICE MERCER ASHCROFT.

Ruth looked at Mrs. Vale. "And someone has just requested that the body be exhumed."

Related Stories

Other posts